2013 CONvergence Panel – Poe’s Potables
The Geek Life #203: “Region Free”
Alright! Let’s see how this works out! Welcome The Geek Life, latest affiliate to The Webcast Beacon Network! With Richard, Paul, Mike, and Melissa, give a listen to the podcast, or watch them as they recorded the episode live on Google Hangouts! – Fes
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The Geek Life is an affiliate of the WCBN.
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- Video Releases
- Stop me if you’ve heard this one-World of Warcraft is hacked (link)
- Microsoft does fastest 180 in history…
- … But the hits keep coming
- Although, they still keep dodging bullets
- HP Slate 21: Silly…or is it the future?
- Samsung turns it up to 11
- FAA circulating draft of new regulations for in-flight electronics
- It’s official now: Kindle wins
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2013 CONvergence Panel – Judging A Book By Its Cover
Comic of the Week: Endtown by Aaron Neathery
Endtown
by Aaron Neathery
Comic of the Week picked by: @fesworks
Something that a Webcomic Beacon guest continued to highly praise, so I had to check it out. This is another comic set in a post-apocalyptic setting. The landscape of the earth and it’s plant an animal population has been drastically changed… literally. The earth is a dustball, with pockets of structural debris on the surface, and handfuls of survivors underground.
Some of the weaponry that caused the end of the world, includes a virus that either transforms humans into anthropomorphic animal beings… or horrible, horrible monsters. A huge play on this set piece is that the remaining humans want to eradicate the mutated “humans”, because… humans always have to be at war and destroy what is different from them.
Surviving is the key. Demonstrating also that people have lost their “human-ness”, that they have not lost their humanity… or at least it’s still a struggle. But we are given an array of storlines that follow different characters. I will say there is one storyline I felt was… way too Duex Ex Machina (you’ll know it when you read it), but overall I very much have been enjoying this comic for years now.
Comic Website | WebcomicZ Entry
SFW*: Violence. Heavy subject matter.
* MORE ON RATINGS
How to get more “Likes” and “Shares” for your comic! – by Michael Corley
Written by Michael Corley
Have you ever had someone share a comic of yours on Facebook or Twitter? Feels pretty amazing, doesn’t it? But if we’re honest, that’s not something that happens too often. Why? People share articles and videos and cats riding cleaning implements all the time – why not your super awesome comic?
I can’t magically make all of the internet love you or your comic. But I can show you what makes people share content on the web, and how you can craft your work to make it Super Sharable!
The THREE ways to make your content sharable
1: It’s not about you.
“Wait, what? How can it not be about me? It’s MY comic we’re talking about here!”
No. You don’t matter. Your comic doesn’t matter either. Nobody cares about your comic except you.
PEOPLE SHARE CONTENT BECAUSE OF WHAT IT SAYS ABOUT THEM. NOT ABOUT YOU.
Here’s a recent comic of mine from Vox in a Box –
Sure. Fine. There’s a guy and he’s in a cave. Great. Who cares? I would never, ever try to convince someone to share this comic. I’m not slamming my own comic for content, it’s a perfectly acceptable comic strip as part of a larger storyline. But there’s nothing in there to resonate with a reader that would motivate them to share it. They consume it in seconds and move on to the next thing on their reading list.
Now, take a look at a one shot comic I published about Superman and Krypto the dog:
Would anyone share this? Hell yes they would (and did)!
If you saw this and decided to share it, what does it say about you? That you have a kind heart. That you love pets. That a dog’s nuzzling can bring to joy to the saddest person. Yes, there may be some who share this because they like Superman, but the main reason you would share this on a social media is to say, “Look everyone. I’m a dog lover. Dogs bring me joy and happiness. I want to share the way this comic makes me feel because I want you to know how special dogs are to me!”
2: The basic elements of sharable content
When you are crafting content you want readers to share, keep in mind the elements that will cause them to click the “share” link beneath your post.
I share this because I’m a fan: Is your content a joke about Doctor Who? A Star Trek fan art? A storyline where Xena Warrior Princess meets Wonder Woman? People tend to share content of this kind because it tells the rest of the world what kind of fans they are. Think of your comic like a T-shirt they’re showing off to the internet.
I share this because it’s my sense of humor: The same mother who posts pictures of adorable kittens playing with string would never post a clip from a horror film. People laugh because the joke of your comic resonates with them. They want to share that feeling with others to reinforce that’s the kind of humor they possess.
I share this because it’s what I stand for: An offshoot of the last, people share articles and pictures and yes, comics that reflect their beliefs. Does your comic have an advocacy for gay marriage? People who believe strongly in that right are going to be quick to share it with others.
3: Make your content sharable with one, clear call to action.
Have you ever glanced at the bottom of a comic and it looks like the social network icons are all forming a mob? I’ve seen some with DOZENS of “sharable” links below. Does anyone even use Digg anymore?
Pick one and run with it. It has been proven again and again the more choices you give a person, the more likely they are to make NO choice!
Think of it this way: Imagine you heard a radio commercial offering plumbing service and your toilet just jammed up. You’re interested, but the last half of the ad tells you to call their north number, or their south number, or go to their website, or stop by their store and here are their two locations…. Auuuugh! Odds are you would remember none of it in the jumble and confusion of all those numbers and addresses.
But what if instead the commercial ended with, “We’ll fix your plumbing problem today! Just call 555-CRAP!” You wouldn’t just call. You’d be laughing your butt off as you called!
So instead of a sea of social icons below your comic. Why not have a popular character standing next to a giant Facebook logo saying, “Hey, did you like this comic? Then, you know, LIKE it on Facebook!” You could even create several for the major social networks and rotate them out, but just one per post, please. Here’s a link http://www.scratchtheweb.com/2013/03/create-custom-social-sharing-buttons.html on how to create custom share buttons if you’d like the details. But whether you want readers to share content, comment or go to your store pick ONE THING and TELL your reader to do that one thing!
I hope these three points have been helpful for you creating more sharable content – Create content that’s for your readers, not you, that tells others who they are as a person and give them a clear, single way to share the content.
If you liked this article, and found it helpful, comment below! (See? See what I did there?)
Michael Corley has worked in the Advertising and Marketing industry for over 15 years. You can read his comic, Vox in a Box at voxboxcomics.com
Comic of the Week: Grrl Power by David Barrack
Grrl Power
by David Barrack
Comic of the Week picked by: @fesworks
Ah yes. Well toned and endowed super-heroines. This comic makes no excuse for the visual display of busty and muscled super women (well, there’s muscular, tight-shirted men in here too). Though the real star of the show is the “less than conventional” girl, Sydney. She’s a tomboy, nerd, kinda-petite, goofball. And I love her! Almost like she’s the antithesis of many of the other female protagonists that appear.
Anyway, this comic is all about Sydney being found out by a government super-hero branch. Turns out she has some sort of powers too. And… Well.. actually this is where its hard to really describe this comic. It is really a slow-paced, graphic novel. When you look at how long this comic has been online (and with one page a week updates), it feels like it should be much farther along in a story. This comic tells EVERYTHING that has happened since the morning… Almost 150 updates, and the comic’s first day isn’t even over yet!
Still, there is a LOT of dialog, context, set pieces, and story fodder in what is online thus far. It probably reads really well with an archive dive, but will get a bit slow once you catch up. For a “superhero” comic, there’s not a whole lot of action so far. But exposition and character development isn’t bad, either.
Comic Website | WebcomicZ Entry
SFW*: Mild and Comedic violence. Occasional semi-revealing and suggestive scenes.
* MORE ON RATINGS
Webcomic Beacon #350: Comic News & Discussion for June 30th, 2013
Monty Rhode, Kittyhawk, Terence MacManus, Ben Carver, and Fes Works for another week of comic news & discussion! Not a whole lot of real news for us today, but we go over Antarctic Press and their Indiegogo campaign and the How to Make Webcomics “sequel”. Plus PRISM and Animal Crossing: New Leaf. (No relation).
We actually really went on a tear about the How to Make Webcomics “sequel”, particularly in a print versus digital sale of products… discussion.
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Antarctic Press Appeals to Crowdfunding to Save Itself
From a deal that went sour with Wal-Mart, Antarctic Press turns to it’s audience through an IndieGoGo campaign to save itself from the debt they incurred from mass producing it’s own comics for broader consumption through previously said deal. (Found via The Beat)
Sequel to the How to Make Webcomics Kickstarter
Getting in on the webcomic book Kickstarter boom, looks like the admin of Webcomics.com is taking all the posts from the site and making a guide on making modern webcomics, The Webcomics Handbook, as a follow up to the 2008 book, How to Make Webcomics. Learn about how to make merchandise, brave cons, and maybe make a webcomic along the way. (Kickstarter campaign)
PRISM May Affect Webcartoonists More Than You Think
This doesn’t seem very Webcomics related, but I have read some of the bills that would make it “more” legal, like CISPA, ACTA, SOPA, and PIPA to name some. Most of them relate to copyright as well, and some even had language about making “distributing obscenity”, which is poorly defined in US law and could be applied to a few webcomics, a felony with five years. Discussing that a lot of the services that webcomic artists use are part of the program, like Google Docs for one, might be helpful, and I have experience in moving my server out of the USA because of such programs.
– Kittyhawk
The Guardian (PRISM tag), The Verge (article on PRISM), Wikipedia (CISPA)
Animal Crossing: New Leaf
The scourge of getting a webcomic done! Why is it so fun? Has Nintendo finally perfected the best timewasting game of all time? The answer: PROBABLY YES.
Best guide out there (according to Kittyhawk)
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WeSeWriMo: Join the 7th annual Web Serial Writing Month!
Ah, but a man’s reach should exceed his grasp
or what’s a heaven for? – Robert Browning
For the seventh straight year, the EpiGuide Webfiction and Web Entertainment Community is hosting a month-long writing marathon, starting on August 1 and running through August 31, where creators of original, regularly-produced web-only entertainment are challenged to write as they’ve never written before.
The project was inspired by the famous NaNoWriMo, the annual tradition where writers are challenged to write a 50,000-word novella in thirty days. Where we depart slightly from NaNoWriMo is that rather than a single goal for all writers, WeSeWriMo offers each serial creator/writer to set his or her own benchmark. Since webserials come in many different formats and genres, from text-based narratives to podcasts to screenplays and beyond, milestones may vary. If you’re a NaNoWriMo rebel, chances are you might fit in here–if your work is serialized in any format, you’re exactly the sort of writer for whom WeSeWriMo was developed!
The idea is to stretch ourselves to the limit, so each participant is strongly encouraged to set goals that areambitious. One good rule is to judge your regular output, then try for a minimum of 150%. For example, if you usually produce one episode/installment a week, try setting your monthly goal to six episodes. Someone else might aim for 31,000 words — a thousand words a day for the entire month. Goals should be ambitious yet realistic.
We’re a decidedly low-key, low-tech project so far, and admittedly we lack the automated tools of NaNoWriMo. But we hope to grow in future if participation warrants it. Any willing volunteers (programmers, moderators, publicists) are gratefully invited and encouraged to help us add to the WeSeWriMo experience!
Joining is easy!
1. Sign up for a free EpiGuide account.
2. Add your series/site/project and goal to the official WeSeWriMo 2013 registration thread by August 1, 2013.
Once we process your info we’ll add you to the official list and you’ll get some free goodies, such as a blog, a banner, access to the WeSeWriMo ’13 forum where you can meet the other participants, and other extras.
First Issue Review #70: Marvel Comic’s Captain Marvel #1 (2012)
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Captain Marvel #1 (2012)
This was a superhero comic line that was “rebooted” before the whole “Re-Evolution” thing that Marvel Comics started in 2012, where they started to slowly restart various lines of their comics with new #1 issues. But we’ll talk more of that sometime in Season 3. In any case, how does this new Captain Marvel stack up?
Written by Kelly Sue DeConnick | Artist by Dexter Soy
Colors by Jason Embury | Lettering by VC’s Joe Caramanga
Editors: Axel Alonso, Sanna Amant, Ellie Pyle
Published by Marvel Comics
Outro Music: Magnetic Man – I Need Air Remix by Jackal Queenston (LapFox Trax)
Reviewed by: Fes Works, Melissa Kaercher, and Marcus A.
View our episode update schedule and more!
Remember that we abridge the comics we review, and the show is by no means a substitute for reading it yourself. If any comics we review pique your interest, there are MANY places to pick these up! We highly recommend you check out your local comic book shop first, as that is the BEST experience for reading comic books. Otherwise there are many sources online to read and buy comic books in a digital format: Marvel Digital Comics, Dark Horse Digital, IDW, DC Comics, Image and more on Comixology, Drive-Thru Comics, and Graphicly.
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